I was itching to hit the streets of a City with a combination I’ve long been wanting to try out. I recently acquired a copy of the beautiful Carl Zeiss Distagon 35mm F2 which I’d previously borrowed from a friend and loved when shooting colour emulsion - I knew this lens packed a 3D pop but I hadn’t yet had the chance to use her with a nice contrasty grainy film like the classic Kodak Tri-X and to crank things up a notch I used a medium yellow filter on the front of the lens, which whilst taking almost a stop of light transmission made the blacks that bit more inky and the contrast and grain a little more accentuated.